The poet does an intense soul searching under the moonlight where the poet has created another superficial universe for … Claude Debussy (1862-1918) composed Clair de Lune, the third movement from the Suite Bergamasque in 1888 (first published in 1903). in Takt 3 die übergebundenen Duolen. The second theme of the movement is constructed from the rhythmic cell shown below. This gesture could also be interpreted as opening with chord iii (still with doubled mediant) moving to chord I on the third beat of the bar; however I think this is less likely to be Debussy’s intention because of the use of a Db chord in bar 9 when the phrase is imitated. Ce fût le premier succès de Claude Debussy, compositeur français, écrit en 1890. Harmonic interest is created in bar 45-46 when chords are played in the right hand over the dominant Ab pedal. Clair de lune, Cendrars. I harmonically analyze Debussy's Clair de Lune with roman numerals and lead sheet symbols as well as point out harmonic patterns and voice leading. While in bar 2 a V7 is used, decorated with a suspension and a upper turn, bar 52 uses a III7 chord, while the music is clearly recognizable as the opening theme, the music has been re-imagined with harmonic substitutions, and new figures for the left hand material. Nouvelle analyse de la Sonate clair de lune en Do dièse mineur de Ludvig van Beethoven (2).pdf D. Porębska-Kwaśnik IntroductionConnue et incomprise, cette sonate voit rarement s'éveiller le songe puissant qui l'habite. Clair de Lune is the piece that got to me the most, and listening to the piece, it got me wondering how the piece managed to stir up such strong emotions within me. ( Log Out /  Clair de lune, Verlaine (fêtes galantes) : le texte et son analyse pour le bac de français. The harmonic rhythm at this point has slowed. « Clair de Lune » est tiré de ce recueil, il conte une nuit tranquille soudainement dérangé par u bruit inhabituel. I listened to this piece over and over, and each time the feelings evolved from one to another. Au clair de la lune, Pierrot répondit: — Je n’ai pas de plume, je suis dans mon lit. The poem Claire de lune by Paul Verlaine consists of three stanzas where the poet takes the readers through a journey where he gets in touch with his soul, with the hopes of finding himself. There's a moment of pure harmonic inspiration in the composer's Clair de lune. I also analyze the form of the piece. And the result was a sound unlike any other in musical history. Le poème « Clair de Lune » publié en 1829 va alors mélanger le lyrisme, l’exotisme et le désir de liberté. From bar 51-53 a dominant pedal figure is repeated in the bass; which by bar 53 has become a traditionally dissonant 7th of the vi7d chord, this resolves downward to Gb in bar 54, the mediant of the V7c chord. Analysis of Verlaine’s “Clair de Lune”. Regardless whether this song is Impressionism or not, it seems to not be Realism. Oh ! We see a prominent forte at bar 41, from a dynamics perspective this is the climax of the piece. Debussy’s Clair de lune … Clair de lune has unusual features. A La fenêtre enfin libre est ouverte à la brise, B La sultane regarde, et la mer qui se brise, B Là-bas, d'un flot d'argent brode les noirs îlots. In Bar 2 Gb and A; an augmented second, show Debussy’s confident use of unconventional intervals. Tagged with analysis, bergamansque, clair, claire, de lune, Debussy, Music, suit, suite. The music at this point is in two bar phrases. - La fenêtre enfin libre est ouverte à la brise, La sultane regarde, et la mer qui se brise, Là-bas, d'un flot d'argent brode les noirs îlots. Although we love to classify anything, and classifying helps to deepen understanding, but sometimes it obscures what we should see because of classifying. There's a moment of pure harmonic inspiration in the composer's Clair de lune. The right hand begins a descending scale in thirds throughout bars 41-42. This is worth mentioning, as while Debussy has composed a movement that may itself warrant detailed analysis, it is important to remember that care has been taken with both compositional material and structure on a macroscopic level. The chord used on the third beat of bar 27, bIIIb is an unusual harmonic choice within conventional tonality and shows Debussy experimenting with non-functional harmony; this creates a new and interesting sound world, made more obvious by the preceding chord III(a). Even though he tried to write music as Symbolism, audience regarded it as one of the music of the Impressionism. We resume Db major at bar 43. February 22, 2010 Ein Gruß der Lebenslilie aus dem November-Kalender. Impressionism, on the other hand, tries to create an impression analogous to the one produced by a nonmusical phenomenon or by any phenomenon of the senses.” (Ronald L. Byrnside, 1980). And then, also, from the … The rhythm in voice 1 of the left hand is based upon the end of the rhythmic cell shown earlier. Va chez la voisine, je crois qu’elle y est Car dans sa cuisine, on bat le briquet. The composition opens in Db major with a tonic chord. Clair de lune gives the impression that someone looks back on the past and misses it while watching the moonlight reflected on the surface of the water first. Bars 5-6 are used sequentially in bar 7-8, the last beat altered to lead into the repeat of the theme in bar 9 with a traditional perfect cadence. In der Musik gibt es binäre und ternäre Elemente, z.B. This section finishes at bar 65. The use of structure and proportion within the movement is significant; Most important of all, they show ways in which the forms are used to project the music’s dramatic and expressive qualities with maximum precision. ISBN: 9780190696078 (paper, $14.95); 9780190696061 (hardcover, $74.00). Clair de lune de Claude Debussy (1862-1918) est l’une des plus célèbres, si ce n’est la plus célèbre, des œuvres du compositeur français. Déjà présente dans notre rubrique 'éveil musical' à travers son Adagio, la sonate 'Clair de Lune' de Beethoven méritait bien d'être abordé sous un angle différent. Tout en chantant sur le mode mineur L’amour vainqueur et la vie opportune, Ils n’ont pas l’air de croire à leur bonheur. The bar begins with an ascending iii chord leading into the opening theme, which leaves the dissonant dominant of the previous bar technically unresolved, although because of Debussy’s treatment of the materials the tension feels to have been resolved. Le titre « Clair de lune » est un morceau légendaire à avoir au bout des doigts. The difference of the movement between them is Debussy who are the representative of Impressionism in music hated to be regarded as Impressionism. I believe that Music and Visual Art should share an artistic classification such as “Impressionism” because those are entertainment, and I believe entertainment is what stimulates the human’s five senses. The gentle “Clair de lune” provides an elegant contrast to the suite’s sprightly second and fourth movements. French composer born in the 1800s. It is important to note that with the exception of the poetically titled Clair de Lune, suite Bergamasque is created exclusively from Baroque movements. Debussy tried to describe the sound of sparkling star in Clair de lune, and I can hear or feel it. Change ), You are commenting using your Twitter account. ( Log Out /  Tristes sous leurs déguisements fantasques. De ses doigts en vibrant s'échappe la guitare. The reflective and thought provoking sentiment of Clair de Lune was absolutely intended by Debussy. LA SONATE "CLAIR DE LUNE" DE BEETHOVEN - ANALYSE La sonate pour piano n°14 en do dièse mineur composée par Ludwig van Beethoven, plus connue sous l’appellation de Sonate « Clair de Lune », est l’une des plus célèbres œuvres du répertoire pianistique, notamment son ‘Adagio’ qui lui sert d’ouverture. Clair de lune, Cendrars. A B A Db Initial overview analysis Chordal Analysis Placed at the "climax" of Debussy's Suite Forgoes tonic in first chord, and doubling third French composer born in the 1800s Leading figure of French music "Embracing nontraditional scales and tonal structures, … While the music feels distinctly diatonic, it does not feel rooted in the tonic key of Db major, the key itself remains ambiguous until the final cadence in bar 72, as use of non functional harmony also occasionally implies the relative minor of Bb minor. The title Clair de Lune means ‘moonlight’ in French. The choice of compound triple meter for this movement shows the contrast to the dance movements and helps allow Debussy freedom to articulate the music differently. Therefore, the song is Dionysian. We also see the rhythmic cell used in full again. 522–537, published by Oxford University Press, file:///Users/jiuwoangguo/Downloads/Musical%20Impressionism%20by%20R%20Byrnside.pdf, Picasso, Primitivism, And The Rights And Wrongs Of Cultural Appropriation, Leonardo’s Earliest Surviving Drawing — the Emergence of Landscape in Art, Interested in Studying Art History? Free to download and print. Leave a comment. At the end, this song has the impression that the person still can’t completely throw away the past, but it has and brings something of freshness. The reflective and thought provoking sentiment of Clair de Lune was absolutely intended by Debussy. Il est composé de cinq quatrains, chaque quatrain est … In bar 27 we begin the B section; new thematic material is introduced, as is a change in accompaniment; we now have an arpeggio figure in the left hand. The first half of the theme (blue) is voiced in thirds, but the latter half is not. A chord of Bb minor is written in bar 71, which is an example of the insecurity of the key, before the tonal ambiguity of the piece is finally removed with the final chord of  Db major chord in 72. The accompaniment also shows this rhythm in bar 29; in the arpeggio; the return to the previously arpeggiated note occurs on this rhythm. The first two bar phrase uses the rhythmic cell shown earlier to create a melodic phrase. On a superficial level, the overall structure of ternary form; A B A, fits the structure of the movement well. Translated to English, the name of the poem means “Moonlight”. And then, also, from the middle of the song, it gives me the view of a person who divides it as a thing of past and decides to move toward the future. Lisez ce Archives du BAC Fiche et plus de 249 000 autres dissertation. Que vont charmant masques et bergamasques. Under this, we have more unusual harmony, the harmonic rhythm has returned to the dotted crotchet pulse and what appears to be an A9 chord with a doubled seventh, followed by the progression IV iii and is repeated again in the following bar. The choice of chord I is also supported by the left hand for the opening four bars, which implies a chord-a-bar harmonic rhythm. London: J.M. Created Date: 8/7/2009 3:57:26 PM Beim Hören viel uns folgendes auf: Durch die allgegenwärtigen Bindungen bekommt man kein richtiges Gespür für den 9/8 Takt. Nous retrouvons un caractère descriptif et informatif. My impression of Clair de Lune is Dionysian because the music at the time when Claude Debussy was there was mainly formal, but he tried to break it and sought a new frontier for music. Voici une analyse du poème « Clair de lune » de Paul Verlaine (issu des Fêtes Galantes). Clair de Lune (Anfang) Das Stück "Clair de Lune" wurde von Claude Debussy geschrieben. In one essay, Edwin Evans wrote “Realism in music is the real imitation of nonmusical sounds; it is in its true nature restricted to auditive phenomena. Annonce de l'analyse linéaire 1ère strophe : thème du bal masqué 2e strophe : l'atmosphère se précise, accentuation de la mélancolie 3e strophe : le parc au clair de lune Analyse linéaire 1ère strophe : une fête manquée 1) L'identification de l'âme et du paysage Bar 35-36 is a repeat of bar 27-28 an octave higher. Beginning in bar 38 we hear a prominent descending chromatic scale in the bass until bar 39 beat 2. 13 photographs and other images, 10 musical exx., weblinks. Claude Debussy’s Clair de lune. Clair de Lune. (Howat, R. Page 1). Jouant du luth et dansant et quasi. Bar 15 could be interpreted both as the finishing of the previous phrase, making it 8 bars long, or as the start of the next block in material; the change in texture is significant, we now have a homophonic texture. This texture continues until bar 26. An ascending left hand figure is introduced in the bar 19. While the overall structure of the movement is ambiguous, I think the form best fitting the movement is ternary form, extended by a coda created from material originating in section B. Et leur chanson se mêle au clair de lune, Au calme clair de lune triste et beau, Qui fait rêver les oiseaux dans les arbres Et sangloter d'extase les jets d'eau, Les grands jets d'eau sveltes parmi les marbres. La lune était sereine et jouait sur les flots. ! The music continues to ascend throughout this bar, the music rises by a third each beat. New York: Sloan & Pearce, Filed under Essays, Music The harmonic rhythm slows at bar 29, with a sustained I chord moving to II in bar 30. As our textbook states, “A Dionysian response is “dominated by feelings, intuition, and freedom from limits” (Janaro & Altshuler, 2017). Claude Debussy who wrote Clair de Lune use the whole-tone scale, instead of traditional scale of Western music (Claude Achille Debussy, 2020). Check out my own piece inspired by Debussy: https://www.youtube.com/watch?v=hCWjOPtSV1QClaire de Lune is just so good !! Dent & Sons, Nichols, R. (1972) Debussy. "Embracing nontraditional scales and tonal structures, Claude Debussy is one of the most highly regarded composers of the late 19th and early 20th centuries and is seen as the founder of musical impressionism." Cette analyse décrypte l'origine de la sonate, ses particularités et les différentes modulations de son adagio. « Clair de lune » : Introduction C’est en 1869 que Verlaine fait paraître son recueil des Fêtes galantes , recueil de poèmes dans lesquels il décline des scènes de divertissement et de séduction sur des modes tantôt légers et galants , tantôt plus sombres et mélancoliques . Columbia Electronic Encyclopedia, 6th Edition, 1. http://web.a.ebscohost.com.db24.linccweb.org/ehost/detail/detail?vid=9&sid=26e0ab2e-a477-4ce9-8dbd-c2ee598e501a%40sdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=134511450&db=a9h, Musical Impressionism: The Early History of the Term” by Ronald L. Byrnside from The Musical Quarterly, Vol. Start Here, A Life Lesson from Andy Warhol for Artists and Everyone Else. The positioning within the suite is important; it is the suite’s third movement, and is the lyrical climax of the suite. The choice of compound triple meter for this movement shows the contrast to the dance movements and … The title Clair de Lune means ‘moonlight’ in French. The second half of the theme is sequential, shown by the yellow. Analyse de clair de lune victor hugo 808 mots | 4 pages Victor HUGO (1802-1885) Clair de lune La lune était sereine et jouait sur les flots. It is worth mentioning that Paul Verlaine’s poem Claire de Lune, which is probably the inspiration for this movement – both the titles Bergamasque and Claire de Lune originate in this poem; is in three stanzas, mirroring Debussy’s use of three sections in this movement. Throughout the opening phrase the left hand part begins to slowly descend, while the diatonic opening theme floats above in the right hand. Also, A lot of black keys are used in this song, and it feels like a transparent sound. In addition, Clair de Lune is compositionally, the most adventurous piece of the suite. "Clair de lune" was originally intended to be included as a fully orchestrated piece in … 148 pp. An Analysis of Beethoven, Symphony No.1, movement 4. The dynamic is marked PPP, which is the quietest dynamic in the piece. In der Musik gibt es binäre und ternäre Elemente, z.B. In bar 50-51 the B section ends with an ambiguous chord, a sustained #V7 sus4d, the dominant feeling of the chord helps expose the tonic key and the section is harmonically closed. And it's so, so simple. The dynamics at this point is still pianissimo. Elle a été reprise à d’innombrables occasions, entre autres au cinéma et a été associée à la peinture impressionniste comme représentation musicale. One of Debussy’s early compositions, it is the most readily recognizable segment of his works. In addition to the modulation, the texture also changes. Hier findest Du eine außergewöhnliche Interpretation und das Gedicht von Stefan Zweig ins Deutsche übersetzt. Donc Pierrot entend son ami qui le supplie de lui ouvrir sa porte, mais il a tellement la flemme de se lever qu’il lui … Les 22 poèmes de Fêtes galantes 1-Clair de lune 2-Pantomine 3-Sur l'herbe 4-L'allée The object of analysis of this paper "The Priest in Clair De Lune by Guy de Maupassant" is a short story Clair de Lune which can be roughly translated as moonlight from French. This rhythm is used in the right hand to form melodies; such as the second theme in bar 27-36, or in the transitional section in bar 39-40. The coda now begins in bar 66, the arpeggio figure seen alludes to section B; the first two beats of the bar are taken from the accompaniment in bar 27. Bar 47 reintroduces the rhythmic cell in the right, while a figure derived from it is played in the left hand. Clair de lune (poésie) Votre âme est un paysage choisi. Debussy’s music has that ineffable *something* that makes listening to it a bit like this: In technical terms, it’s all about using chord extensions like 7th, 9th and 11th chords. Blur is important for both Impressionism in art and music, and both of them are on the boundary between them although the way to approach there is different. It is important to note that with the exception of the poetically titled Clair de Lune, suite Bergamasque is created exclusively from Baroque movements. Es ist dem Impressionismus zuzuordnen. Between these parts, the harmony is arpeggiated and sustained notes in the middle register of the piano can be heard. ‘Clair De Lune’ is perhaps Debussy’s best-loved piano piece – and that is saying quite a lot, given the wealth of his output for the instrument. It was played on countless occasions, among others in movies and has been associated with the Impressionist painting as its musical performance. The harmonic substitutions can be seen in bar 10; the Gb o7 is changed for a Gb  6 chord. The overall tessitura shifts suddenly upwards at this point. ( Log Out /  Clair de lune (Victor HUGO, recueil Les Orientales, 1829). In bar 31-32 we have an imitation of bar 27-28, the rhythm and general contour of the right hand melody is the same. The mood of this song is sadness, happiness, and hope. The poem speaks of “au calme clair de lune triste et beau” (the still moonlight sad and lovely). It’s difficult to reasonably create something from something that doesn’t exist although the things that are created will later become look like rational sometimes. Claude Achille Debussy. That’s how we have gotten diversity. The harmony, while compositionally inventive, is still heavily rooted on conventional diatonic harmony; there has been occasional chromatism but the music feels diatonic. Es ist dem Impressionismus zuzuordnen. And the result was a sound unlike any other in musical history. Moreover, this song has been discussed many times if it’s Impressionism or not. I believe we also should continue to get it. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. ( Log Out /  Texte du poème Clair de lune de Victor Hugo I believe that “Clair de Lune” is Dionysian because the music of Claude Debussy’s time was typically formal, but he sought after a new limit for music. The difference between Visual Art and Music is how to stimulate us, from eyes or ears or by smells. At bar 51 the music returns to the opening theme and the start of the final section. The duration of the F and Ab have been shortened, and the final beat of the bar has been changed to an octave F. The tonal ambiguity of the music is also highlighted with the lack of a Db in the opening bar; implying the chord is now an F minor, rather than a tonic with a doubled mediant. The right hand chords in this section should be seen as a melody, the harmony is in the bass part of the left hand. In particular, "Clair de lune" has been arranged for a wide variety of instrumental combinations, including notable orchestrations by André Caplet, Leopold Stokowski, and Lucien Cailliet. The upper turns shown in pink on the above diagram originate from the thematic fragments used between movements. The movement remains mostly in the tonic, the only modulation occurring in bars 37-42, which means the sections are harmonically closed. Clair de Lune is the piece that got to me the most, and listening to the piece, it got me wondering how the piece managed to stir up such strong emotions within me. De ses doigts en vibrant s’échappe la guitare. Elle écoute… Un bruit sourd frappe les sourds échos. The opening F Ab idea re-enters with an ascending octave gesture. Change ), You are commenting using your Google account. Thematic Fragment as it appears in the Prélude: Thematic Fragment as it appears in the Menuet: Theme 1 is created from various constituents. An alternative to ternary form could be rounded binary form, again with an added coda. Ein Gruß der Lebenslilie aus dem November-Kalender. Moonlight by Claude Debussy (1862-1918) or Clair de lune in French, is one of the most famous, if not the most famous work of the French composer. The last dotted crotchet of bar 36 is written enharmonically to prepare for the modulation at bar 37. Clair de lune gives the impression that someone looks back on the past and misses it while watching the moonlight reflected on the surface of the water first. The flowing arpeggio is interrupted in bar 67 by a pause on the ic chord. Hier findest Du eine außergewöhnliche Interpretation und das Gedicht von Stefan Zweig ins Deutsche übersetzt. 66, №4 (October 1980), pp. Here Debussy has already broken two rules of conventional voice leading; Debussy begins without the tonic note, introducing it later, where the mediant of the chord (F natural) is doubled. London: Peters, Howat, R. (1986) Debussy in Proportion. La Sonate n°14 en ut dièse mineur de Beethoven dont le titre de “Au clair de lune” fut inventé par le poète Ludwig Rell­stab, contemporain du compositeur, est un passage obligé pour tout interprète des sonates. Debussy is building tension with a full arsenal of devices to prepare for the climax of the piece. Lisez ce Archives du BAC Fiche et plus de 249 000 autres dissertation. While the general structure ABa fits the music, the form is less likely to be rounded binary because two main themes are used, therefore the music is not monothematic, nor are the sections harmonically open. Oxford: University Press, Schmitz, E. (1950)  The Piano Works of Claude Debussy. The opening 8 bars are repeated in bars 9; with some decoration, harmonic substitutions and other changes. (2020). Impressionism and Symbolism have repulsive side, but at the same time, have common face in both art and music because both of them are in the process of the transformation. The thematic material in the A and B sections would sharply contrast; which they do here. Change ). One of the similarities between Impressionism as an artist movement and as a movement in music is the transformation from firm form such as Romantic to Impressionism, and then to Symbolism. Gurminder Kaur Bhogal. I harmonically analyze Debussy's Clair de Lune with roman numerals and lead sheet symbols as well as point out harmonic patterns and voice leading. Le poème Clair de lune est composé de 5 quatrains aux rimes embrassées. — La fenêtre enfin libre est ouverte à la brise, La sultane regarde, et la mer qui se brise, Là-bas, d’un flot d’argent brode les noirs îlots. Clair de lune, (French: Moonlight) the third segment in Suite bergamasque, a four-movement composition for piano by French composer Claude Debussy, begun in 1890 and revised and published in 1905. Claude Debussy (1862-1918) composed Clair de Lune, the third movement from the Suite Bergamasque in 1888 (first published in 1903). The subtle harmonic tension of bar 2 is removed in bar 52, and the music appears far more triadic than before. Debussy’s music has that ineffable *something* that makes listening to it a bit like this: In technical terms, it’s all about using chord extensions like 7th, 9th and 11th chords. The piece has now moved into E major, the first modulation to occur in the piece. Beim Hören viel uns folgendes auf: Durch die allgegenwärtigen Bindungen bekommt man kein richtiges Gespür für den 9/8 Takt. Debussy, C. (1978) Suite Bergamasque. qu'il est doux, quand l'heure tremble au clocher, la nuit, de regarder la lune qui a le nez fait comme un carolus d'or ! The theme has undergone alterations since its introduction. To smooth the modulation back to the tonic key, a dominant chord is sustained in the left hand from bars 43-46, over a melody based on the rhythmic phrase seen in bar 37. "Clair de Lune" ist wohl das bekannteste Stück Debussys. The melody in beats 2-3 of bar 67 is rhythmically simple and is different from the rhythms of preceding themes, but the contour of the melody is the same as the opening of theme 2, seen on the final beat of bar 27. Pour appréhender cette oeuvre, nous allons voir ensemble 3 points essentiels pour vous aider à déchiffrer le début de cette oeuvre. Debussy: Clair de lune - Piano sheet music Author: Piano Street Subject [DIGITAL PIANO SCORE] Urtext with fingering of Debussy's piano piece Clair de Lune from Suite Bergamasque.